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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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Of Borders and Boundaries

In a short conversation with Selina Sheth, the Indian-born writer-director Vikram Zutshi, talks of his need t...

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Sycophancy: At the intersection of Art & Politics

Vinta Nanda writes about the mood in the country. She says that Bollywood and Indian Politics,...

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The Standoff: Pataal Lok and Contagion

Vinta Nanda writes about how we process these times when the movies are advancing our future.

How marketers can think about a Post - COVID-19 world

Perhaps it may be a little too early to say this, but we may be reaching peak lockdowns in many places around the world. The curves aren’...

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Who wants to be a Millionaire? – Vinod Pande

We think we know them well. However, when you venture out to ask them questions you thought you had all the answers for, like I did, you discov...

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CAMPION TALES OF OLD BOMBAY

Producer, Director and Actor Rajiv Kapoor, shared this precious piece written by his school mate John Mani, with me on Whatsapp last night and I publish it here in The ...

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When Kaga Calls

The Devotion Of Suspect X  won Keigo Higashino a worldwide fan following, and his other books like Malice...

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Bimal Roy Film Society to screen ‘Evening Shadows’ in Mumbai

Audiences in Mumbai and Pune can catch the multiple award feature film Evening Shadows, on the big screen in the coming weeks, at the ...

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Two is Company

There has been, after Stieg Larsson’s ‘Girl’ books, a proliferation of kickass heroines. Crime fiction was never short of fem...

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